I plotted out my WIP (still without a name, PS. I swear, it must have an identity crisis with how many names I've tried out for it) but as I was revamping motivations and conflicts this past few weeks, I felt as if something was missing.
Missing in that eating a sugar-free dessert kind of way. It looks like dessert, even smells like dessert, but something got lost in translation.
I pondered, I hemmed and hawed. I read, I reread, and I revised. Still, nothing.
Finally, while reading my dear CP Hal's work last weekend, I decided that my problem was that there was no driving force, no deadline for my characters, nothing hanging immediately over their heads. Oh, it's a paranormal and it has all that save the world/good vs evil goodness that I know and love. But I wanted them to feel more panicked, more pushed all the time. They were too comfy in their little roles and I wanted something hanging over their heads, somethig they dreaded.
What's save the world suspense without the suspense?
I added in a couple things and suddenly, wahlah! (Is that how you spell that?) They're counting down time, there's an external endpoint, and their conflicts feel more immediate.
Case closed.
For now.
How do you add immediacy to your writing? What keeps the suspense in your stories?
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7 comments:
I'm glad you figured it out and it seems like it happened quickly! I fear that I'd be pondering the missing piece for quite awhile. Or I'd badger my CP into reading my work and telling what it's missing! :) I'm still in the process of writing my novel but I can't wait until the revision and analysis stage.
P.S. I think wahlah is how we all tend to pronounce voila! I could be wrong. However, I'm also the person that thought the phrase was "for all intensive purposes" for most of my life. It wasn't until I worked as a copyeditor that I found it's really "for all intents and purposes." HA!
Oh, you know, the basics—deadlines, more conflict between characters. And external stuff helps, too. ;)
Seriously, though, I know I read about this very technique in a craft book. Writing the Breakout Novel? How to Write a Damn Good Novel?
(voilĂ )
Thinking I've fallen down on the job on this one-like pretty much everything else that's important to writing a great story.*g*
Glad you're doing so well! Is this the sequel to His Bewitching Guardian?
BTW, finally found where I'd saved HBG. Can't wait to dig in!:)
Steph - Ugh, the revision and analysis stage. LOL! Good luck getting there. I must admit that I hated the revision phase the first time around. HBG, my first MS, isn't even nearly as good as it could be if I just went back and dug around in it for oh, say, a year. LOL!
And I love it, "intensive purposes." LOL!
Jordan - I think I need to get those books. I've heard great things about them both. Do you recommend?
Kel - I'm glad you found HBG, though I'm cringing as well. It needs a lot of stuff still. :) I just haven't gone back to tend to it yet. I hope you enjoy though. Let me know, k?
I'm not writing the sequel to HBG now. Maybe later. I'm working on a more urban fantasy/paranormal romance. Contemp this time. :)
(Voila!)
OOHH, a contemp! Good luck! And I will definitely get to you about the book. But just ask Hal, I've been really lame getting back to people quickly.lol.
LOL! that's ok, Kelly! I totally understand! :) Take your time, I'm in no rush to return to HBG. :)
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